Friday 21 November 2014

NoteBook Of A Girl. Entry #4

Starting at the darkness outside the window. the brightness of the rain carriage creating mirrors of darkness out of the glass,  a tired slightly drunk girl looking back at me.
A silent empty carriage no passengers  but my self sitting travelling. 
The beep of the intercom with no message. The sudden slowing as we pull out of the night in to the brightly li station. with the siding doors opening some get off and some get on, girls dressed up in dresses and and half the make up counter of Debenhams on their face, Boys in track sues and to much links. Not enough to to empty and not enough to fill the slow moving train heading back to the city
As we pull out form the station, a place of bright light in this alien place of vast darkness in this wilderness of the country side.
Looking deep into the blackened glass at the pitch black night with its moving silhouettes of trees and bushes and power polls.
The bright white moon moves every so slowly higher through the heavens. The cloudless night, cold and with stars like random diamonds stitched for eternity on the blue black silk of the night sky. If you look close enough, you can even make out the face upon the moon.
Yellow and withe spots of light stretch out of depths of stillness, growing closer making the motorway that soon will tack flight over the train lines and touching ground, twisting and tuning vanishing into the night, visible.
Suddenly from no where an explosion of gold and silver in-lights the the darkness of the sky, slowly falling. The cascading gold disappears in to the night.
Before long the sky begins to become alight with red, and green, gold and silver diamonds. silent explosions of enjoyment colour on this cold November night.
Yet all I can do is sit and gaze at the excitement in the sky.

Wrapped up warm in fingerless gloves, hat, scarf and coat. the smell of burning wood on the chinnery. Burgers on the Bar’B’Q the smell of burnt sulphur from fireworks in the air. 
A  sparkler in each hand writing names in the air.
The feeling within your chest of the exploding colours in the sky.
Another burger, more chips and squash. Another beer and glass of wine for the grow ups.
Childhood memories, remembered in each diamond cascade.

Lights of dazzling white reach high on the silk sky toped with red blinking waning light like a light house in the middle of the city. A warning for the sailing ships of the air.
I look up and down the carriage of what seams to be a ghost train absent of any other passengers. 
Destination somewhere. calling at all stations, including grief, depression, missed opportunities, forbidden love and a bad hair day.
Cannery wharf, for all those who commute and travel to London regularly it is a monument, a sign that they are now in Centre of the country. The home of the Bank on England, the monarchy. A city that all of those that travel far and wide to see think is spectacular For those who live within the boundaries of he London postal codes, is home, its hell, with the rude tourist, and un appreciating rich snobs. 
Pulling in to the station its mixture of old and new architecture, lights ass bright as day. With a deep breathe I step from the train to the platform, an unexpected emptiness for six pm on a week day. I head to the steps to the tunnel beneath the tracks leading to the exit. 
burning torches out front of the hotel a strange warmth feeds down to the pavement. The food van outside the underground still serving. The smell of onions frying drawing in hungry suits, and tourists. A slow moving crowd moves towards the stations to head home. 
for a moment i go with the flow then stop and turn and decide to walk. 
Fields of red, a flowing tide encircles the ancient stone walls of a prison and fort. Lit from above and lit form below the shadows of each of the fallen cast upon the stone. Flashes of light capturing the image to say I was here, that I saw.
A flash in the sky of falling crystal, dancing reflections off glass buildings of black mirror.
Heading in to the ground, the rattling nose of the steel cars and electric buzzing as the underground transport moves to a stop. 
Uncomfortable blue covered seats and discarded free papers and magazines, left for the next user to read. 
I pull from my bag my blue note pad opening it to the next blank page makes with is matching blue ribbon, pen in hand I began to write shakily on the rattling ride home.


© sarah jane patel

Friday 7 November 2014

Make Up Effects

Out of pure curiosity of wanting to no how to use Derma Wax, during a very slow day I decided to have a play. I opened a pot of Grimas Derma Wax, Black, and Red water based face and body paint, and a tube of Film Blood B and I started to play. 
The Whole idea of using this product seamed to come very natural to me. I love it, the only thing is, is cleaning it of your skin, as it takes a little time. 
 
The next to images of a cut wrist effect, I also used a little liquid latex and tissue paper to help create a ripped flesh look. Good effect for a machine wound.

The knife through the hand is created using a toy sliding dagger, Derma wax and spirit gum to stick the blade and the hilt to my hand. with a lot of blood.

Slit wrists. created with Derma Wax black and red paint and film blood B
A stapled hand. Braking up a strip of staples and using 2 stuck together, I pushed them in to the Drema Wax after creating the cut line with the end of the paint brush, then painting around it and in the cut grove. 
Lovely gruesome stuff
Why use Red Paint?
The red paint is lighter then The Film Blood B. The paint drys while the blood dose not this helps to create different shades of drying blood.
Why not use Film Blood A and B you may ask?
aAs the blood dose not dry if you put one then paint on the other they are going to mix and you don't get the same effect.
And the black paint?
The black creates the clotted blood look. Makes it look less a fresh wound and makes it more gruesome and a little more real.

Sunday 2 November 2014

Oranges & Lemons

“Oranges and lemons" say the Bells of St. Clement's
“You owe me five farthings" say the Bells of St. Martin's
“When will you pay me?" say the Bells of Old Bailey
“When I grow rich" say the Bells of Shoreditch

The slow echoing chanting of children's voices.
Slow echoing chant quite in the early night illuminated by the moon darkness that she brings upon the world.
Strange moving shadows, cast by the low lifeless fog that sits on the ground.
moving slowly as if it were covering a bed of serpents.
The light rustling of the remanding leaves that cling tightly to the dead limbs of the trees.

"When will that be?" say the Bells of Stepney
"I do not know" say the Great Bells of Bow

The low mist parts with each step that you take on the damp ground, through the forgotten abandoned playground.
Over shadowed by the back silhouettes of the church.
Spinning around on your heels. The sound of a laughing child. Yet nothing  is there.
The squeaking of the swings un oiled rusted chains move back and forth with its phantom rider, or so you hope.
The laughter again and this time to the round about you turn your gaze. It turns slowly and then stops. Again the laughter. But this time a grey figure runs past the gate heading towards the church and out of sight.
Curiously and reluctantly you walk towards the gate. Its black steel skellington, cold and ruff to the touch from rust.
Pushing the heavy gate open it screams painfully from years of neglect.
Looking to the church tower, the moon hanging low and full behind, in the pitch black blue sky. 
Clouds of dark black grey lay upon its darkness with shimmering  stars spread thick and far like spilt glitter pots.
Your eyes play tricks on you in the night creating something hat is not there.
Tomb stones of the long forgotten line the path of lose pebble stones crackling beneath your feet.
A weeping angle lies over a grave with wings and teas spread over the concrete incased corps.
Strange shadows full along the path from crosses and standing angle figures marking the dead.

"Oranges and lemons" say the Bells of St. Clement's

A whisper on the wind sends a cold shiver through your body.
hairs on the back of your neck stand up.
 the tingling feeling of goose bumps cover your body… 
And the feeling of someone watching. 
The nose of rustling leaves upon the ground and as you look to you feet the fog moves and forward as thought someone stands behind you.
Your hear races faced and faster. 
fear.
The cold feeling of a breathe on you neck. 

Do you dear look behind…


© sarah jane patel 2014